Students hoping to play professionally and focused primarily on musical study. Earning a music performance degree at a high level music program. Auditioning for summer music festivals, teaching privately and beginning to play professionally as a freelancer
Etudes
Solos with Piano/Orchestra
Unaccompanied Solos
Chamber
Orchestral Excerpts
Objectives
Promotion
- Barboteau: Lectures/Exercises (61-80)
- Chaynes: 15 Etudes
- Gallay: 12 Low Horn Etudes, op. 57
- Gallay: 40 Preludes, op. 27
- Gugel: 12 Etudes
- Koetsier: 13 Characteristic Etudes
- Maxime-Alphonse: Book 4
- Rochut: Melodious Etudes, Book 2
- Schantl: Method for Natural Horn
- F. Strauss: 17 Concert Etudes
- Thevet: 50 Transposition Exercises
Solos with Piano/Orchestra
- Abbott: Alla Caccia
- Bowen: Horn Sonata
- Bozza: En Foret
- Bozza: Sur les Cimes
- Busser: Le Chasse de St. Hubert
- Defaye: Alpha
- Dukas: Villanelle
- Haydn: Horn Concerto No. 1
- Hindemith: Horn Concerto
- Koetsier: Sonatina
- Krufft: Horn Sonata
- Nehlybel: Scherzo Concertino
- Neuling: Bagatelle
- Poulenc: Elegy
- Reynolds: Partita
- Schumann/Machala: Fantasiestücke
- Wilder: Suite
Unaccompanied Solos
Chamber
- Beethoven: Sextet
- Dohnanyi: Sextet
- Mozart: Horn Quintet
- Poulenc: Sextet
Orchestral Excerpts
- Barber: Violin Concerto
- Bartok: Concerto for Orchestra
- Berlioz: Symphonie Fantastique
- Bernstein: West Side Story, Symphonic Dances
- Brahms: Academic Festival Overture
- Brahms: Tragic Overture
- Bruckner: Symphony No. 7
- Copland: Appalachian Spring, Suite
- Haydn: Symphony No. 55
- Kodály: Dances of Galanta
- Kodály: Háry János, Suite
- Mahler: Symphony No. 3
- Mahler: Symphony No. 4
- Mahler: Symphony No. 5
- Mozart: Cosi fan tutte
- Mozart: Le nozze di Figaro
- Mendelssohn: Symphony No. 3
- Prokofiev: Romeo and Juliet
- Puccini: Turandot
- Rachmaninov: Symphonic Dances
- Ravel: Bolero
- Ravel: Pavane pour une infante défunte
- Rimsky-Korsakov: Capriccio Espagnol
- Rimsky-Korsakov: Scheherazade
- Rossini: La gazza ladra, Overture
- Rossini: L'italiana in Algeri, Overture
- Schumann: Symphony No. 3
- Shostakovich: Symphony No. 5
- Strauss: Also Sprach Zarathustra
- Strauss: Salome
- Strauss: Till Eulenspiegels lustige Streiche
- Stravinsky: Pulcinella
- Stravinsky: Le Baiser de la fée
- Verdi: Falstaff
- Weber: Der Freischütz, Overture
Objectives
- Average 10 hours of weekly practice/study
- Transposition in all keys
- Memorize a standard concerto
- Compete in a solo competition
- Familiarity with all standard excerpts
- Audition for a major summer music festival
- Proficient at sight-reading with transposition
- Daily mindfulness and mental focus work
- Recover quickly from mistakes/disappointing performances
- Fluency with lip trills, hand stopping, multiple tonguing, flutter tonguing
- Regular recording and analysis
Promotion
- F1 to D6
- Scales: Major, Chromatic, Natural Minor (2 octaves)
- Compose original cadenza for a Mozart Concerto
- Perform a half-recital program
- Mock audition with standard excerpts
- Sublist ROPA orchestra