Etudes

• Barboteau: Lectures/Excerises
• Belloli: 8 Studies
• DeGrave: Etudes
• Kling: 40 Etudes​
• Koetiser: 13 Etudes Caracteristiques
• Kopprasch: 60 Etudes (No. 31-60)
• Shoemaker: Legato Etudes
• Maxime-Alphonse: Book 3
• Mueller: 34 Etudes
• Rochut: Melodious Etudes, Book 1
• Thevet: 65 Sight Reading Exercises

Solos

• Beethoven: Sonata
• ​Bozza: Chant Lontain
• Boroff: Horn Sonata
• Frackenpohl: Largo and Allegro
• Gliere: Four Lyrical Pieces
• Halsey-Stevens: Sonata
• Hindemith: Horn Sonata
• Mozart: Horn Concerto No. 2 and 4
• Mozart: Concert Rondo​
• Mozart/Jones: Rondo from Horn Quintet, K. 407
• Persichetti: Parable
• Ravel/Jones: Pavane
• Sinigaglia: Two Pieces
• F. Strauss: Nocturne
• ​Strauss: Horn Concerto No. 1
• Saint-Saens: Romance Op. 36
• Vintner: Hunters Moon

Excerpts

• Bruckner​
• Prokofiev
• Rachmaninov
• Weber

Chamber

• Beethoven: Septet

• Nielsen: Wind Quintet

• Schubert: Auf dem Strom
• Schubert: Octet

Objectives

• Average 8 hours daily practice/study
• G1 to C6

• Transposition in G, D and A, B-flat
• Stopped horn
• Efficiency/endurance
• Collaborative chamber skills (small ensemble and piano)
• Fluency in low and middle register

Promotion

• Scales: Major (2 Octaves)
• Buzzing: Exercise 4
• Flexibility: 2 Octaves, F horn harmonics
• Long Tones: Sound Mediations over 3 octaves
• Accuracy: Farkas 2.0
• Stopped horn
• Proficient at sight reading
• Proficiency on level appropriate etudes and solo